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YouTuber Filmmakers
Plus: President John Cena, Bernthal on Broadway, and Marc Maron ends WTF podcast.
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TRENDING
🇺🇸 New "Heads of State" trailer: Idris Elba and John Cena as UK PM/US President in Ilya Naishuller action film, July 2 on Prime Video.
🎭 "The Bear" stars Jon Bernthal and Ebon Moss-Bachrach making Broadway debuts in "Dog Day Afternoon" stage adaptation, spring 2026.
🎬 "Better Call Saul" creator Peter Gould developing pilot "Disinherited" (we spoke with Peter Gould about the Better Call Saul finale here).
🎙️ Marc Maron's "WTF" podcast ending this fall after 16 years and nearly 2,000 episodes since 2009 launch.
🚀 Billy Crystal was offered Buzz Lightyear role with demo using "When Harry Met Sally" audio; declined after friends/agent predicted movie to flop.
FEATURE
🎬 YouTube is Hollywood's New IP Scouting Ground
The algorithm has become the new slush pile.
Hollywood's approach to discovering the next big thing is undergoing a seismic shift, and it's happening in the most unlikely place: YouTube comment sections and view counts.
The traditional development pipeline—where studios spend millions nurturing projects from concept to screen—is being revolutionized by a simple realization: why gamble on untested ideas when you can cherry-pick concepts that have already proven their viral appeal?
The craziest thing about the whole "film twitter hates YouTubers making movies thing" is that Yes, BRING HER BACK is absolutely the best wide release of the past few weeks. Not even close, quite honestly.
— James Preston Poole (@JamesPPoole)
3:22 AM • Jun 3, 2025
From Bedroom to Blockbuster
The most compelling evidence of this shift comes from Kane Parsons, a teenager who created a viral short film in his bedroom and is now directing a feature adaptation for A24. What started as a passion project by a 16-year-old has attracted Oscar nominee Chiwetel Ejiofor and backing from industry heavyweights including James Wan's Atomic Monster, Shawn Levy's 21 Laps, and Chernin Entertainment.
"This is proof that studios will buy into something they see getting attention on YouTube and hope it will translate to ticket sales later," notes industry observer Jason Hellerman. The development cost? Essentially zero. Parsons did all the heavy lifting, and studios simply had to monitor what was gaining traction online.
The Numbers Don't Lie
With YouTube capturing a staggering 12.4% of all TV viewing according to Nielsen, the platform has become an unprecedented testing ground for content. Studios are essentially using YouTube's algorithm as their research and development department, allowing new IP to bypass the traditional, expensive development pipeline entirely.
Smart studios are already adapting their strategies. Nickelodeon is currently test-driving its animated concept "Kid Cowboy" directly on YouTube, gauging audience reception and franchise potential before committing to full-scale production. Why invest millions in a project that might fail when you can study what's already racking up billions of views?
There's no way Hollywood won't be affected by this.
I created this whole scene in less than 2h using Veo 3 (AI video), Magnific (upscaling), Suno (music, except the first 3s 😉) and CapCut (editing).
The Cambric Explosion of content has already started!
Full tutorial 👇
— Javi Lopez ⛩️ (@javilopen)
11:44 AM • May 25, 2025
The Global Opportunity
Perhaps most revolutionary is the democratization this represents. "The best news? You can do this from anywhere in the world. All you need is a computer and a YouTube account," Hellerman observes. Geographic barriers that once limited access to Hollywood decision-makers have essentially evaporated.
This isn't just about newcomers breaking in—established writers and directors can now test concepts and measure audience appetite before pitching to traditional gatekeepers. The algorithm has become the great equalizer, where creativity and execution matter more than industry connections.
The future of entertainment might literally be a click away, brewing in the minds of creators worldwide, waiting to be discovered not in pitch meetings but in trending feeds. For Hollywood, the next blockbuster franchise could be hiding in plain sight, accumulating views while studios learn to speak the language of likes, shares, and subscriber counts.
Real-World Examples of YouTube-to-Hollywood Success Stories:
Five Nights at Freddy's - Started as an indie video game that became viral through YouTube gaming videos, particularly through popular YouTuber Markiplier's playthrough videos.
Lights Out - David F. Sandberg created a 2-minute horror short film in 2013 that went viral on YouTube and Vimeo. The viral success led to agents contacting him, ultimately resulting in a 2016 feature film adaptation.
Marble Hornets/Always Watching - A 2009 YouTube web series inspired by the Slender Man craze was adapted into the 2015 film "Always Watching: A Marble Hornets Story.”
Hype House - Netflix created a reality show based on the popular TikTok collective, showcasing the lifestyle of social media influencers.
The Red Ape Family - Described as "the first series to feature well-known NFTs as characters in their own cinematic universe," capitalizing on internet culture trends.
Nickelodeon's "Kid Cowboy" - The network is currently test-driving this animated concept directly on YouTube to gauge audience reception before committing to full-scale production.
Warner Bros. YouTube Strategy - Warner Bros. made more than 30 full movies available for free on YouTube, recognizing the platform's potential as a distribution and testing ground.
Are you looking to follow a similar trajectory? Check out this video for Pitch Ready, a filmmaking course that starts today.
PUNCHLINES
First look at iPhones with attachments being used to film sequences in ‘28 YEARS LATER’
Special rigs were created to use as many as 20 iPhones at a time for certain shots.
(Source: bit.ly/4kGyVP2)
— DiscussingFilm (@DiscussingFilm)
1:44 PM • May 30, 2025
In "Once Upon a Time in Hollywood" (2019), the logo for Big Kahuna Burger can be seen on a passing bus. 👀
— Quentin Tarantino Universe (@TarantinoWorld)
4:04 PM • Jun 4, 2025
read what you’re doing to the fucking goat
— Seth (@sethsfilmreview)
11:08 PM • Jun 3, 2025